I haven't blogged in a long time - I've been too busy. I now have school (the harderst trimester ever - Honors English, Honors Geometry, AP History, Spanish 3, and Chemistry B), work, homework, editing the paper, and an attampt to have a social life on my plate. I'm survivin' though, so I's all good.
Now, here by popular demand (of Alice) I shall post the
Rent movie review I wrote for
The Prowl (but changed a little bit). It was one of the hardest articles I've had to write, probably because I'm so close to it's subject matter. If you notice and grammerical errors, tell me. Thanks.
I Don't Own Emotion, I
Rent: A Movie Review
By Cole Wood****
The highly anticipated movie version of Jonathan Larson’s stage musical,
Rent has at last blasted its way into theaters, with new life and a new sound.
Rent follows a year in the life of eight friends who are living the bohemian life as starving artists in the East Village of New York City. Six of movie’s eight stars reprise the roles that they played on stage in Rent when it opened almost a decade ago in 1996. Original cast member Anthony Rapp plays Mark, a filmmaker and roommate of Adam Pascal’s character, HIV-positive singer/songwriter Roger. Wilson Jermaine Heredia, who won a Tony for his stage performance as Angel in
Rent jumps back into his Christmas drag to play the AIDS-infected, street performing character. Jesse L. Martin, of
Law & Order fame, comes back as Tom Collins a gay anarchist and old friend of Mark and Roger. Taye Diggs, who had his own television show,
Kevin Hill, is Mark and Roger’s landlord and ex-roommate. Also back is Broadway star Idina Menzel, who most recently donning green make-up to star as the Wicked Witch of the West, Elphaba in
Wicked. Menzel reprises Maureen, a larger-than-life performer. They are joined by Rosario Dawson, who plays Mimi, an exotic dancer and Tracie Thoms, who plays Joanne, the lawyer girlfriend of Menzel’s character, Maureen.
Though the movie was advertised more as fun and a celebration of friendship, it deals with much heavier themes. That is not to say that
Rent is not a happy movie; lighter moments like Maureen’s hilarious performance piece, “Over the Moon” and the amazing song, “La Vie Boheme”, a musical celebration of the Bohemian lifestyle, bring fun to the movie. Still, the themes of poverty, death, and AIDS (which was more of a death sentence that a medical diagnosis, since the movie takes place in 1989) give the movie a slightly gloomy feel. These themes do not hurt the movie, however. If anything, the film’s sadder parts, like Jesse L. Martin’s tear-jerking performance of I’ll Cover You (Reprise), make it more real and Rent’s essential message of living each day as your last, more poignant.
The music which makes up 85% of the movie is mainly of the pop/rock genre. The voices of the actors are incredibly pure and moving, clearly demonstrating that art of acting through song. Songs like the “Out Tonight” and the title track, “Rent” blast through the speakers, heavy on guitar and percussion, while ballads like “One Song Glory” and “Without You” are much more toned down and emotional. This variety of music makes the soundtrack much more interesting.
The acting in the movie is fantastic. Perhaps the best performance is that of Jesse L. Martin. Martin’s Collins is funny, heartbreaking, and strong. The best vocal performance is, in my opinion, Tracie Thoms’. It would be a difficult task to match the vocal power of Idina Menzel in “Take Me or Leave Me”, a confrontational duet between the lovers, but Thoms more than does so. In “Seasons of Love”, the song played in most of the movie’s advertisements, she hits an amazing high “C” note seemingly effortlessly. Anthony Rapp’s Mark is just as lovable and Adam Pascal does an excellent job portraying the heights and depths or Roger. Always incredible, Idina Menzel gives a stand-out performance. Angel is made such a loveable character by Wilson Jermaine Heredia and Taye Diggs’ Benny is just as unlikable as he should be.
After listening to the original Broadway cast recording It’s hard to say that they music is better in the movie. But the voices and the music are stronger. “Tango: Maureen”, for instance, is made so much larger than in the OBCR (this is also helped by the huge and amazing dance sequence the scene contains). The voices are different, also (both between the new and old actresses and between the originals now in 1996). Rosario Dawson’s voice is much purer, but not quite as feisty as original Mimi, Daphne Rubin Vega’s and Tracie Thoms is just as brilliant as Fredi Walker, but maybe a little bit more professional-sounding. Taye Diggs also has a more finished sound than he did. Idina Menzel, Adam Pascal, and Jesse L. Martin all sound older, a possible effect that smoking has taken on their voices. Anthony Rapp and Wilson Jermaine Heredia sound about the same, though they, especially Rapp, have a harder edge. Overall I think that the music is possibly better, but more different than anything else. The new recording will defiantly not cancel out the OBCR in the hearts and ears of fans of the Broadway show.
The musical that has become an obsession of most of its fans, nicknamed
RENTheads, since it’s beginning in 1996, has finally been pushed into the spotlight of major motion picture. Hopefully its amazing message will be able to touch and change as many lives as a film as it did as a stage musical.
Thank you, Jonathan Larson.